Reviews
Review: Does Andrew Lloyd Webber’s Bad Cinderella Live Up to Its Name?
Reviews
Review: In Sancocho, Two Sisters Stew Over the Legacy of Their Dying Father
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Review: Judy Gold's Yes, I Can Say That! Is an Unflinching Defense of Free Speech
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Review: The Lonely Few Cranks Out Its Story Like a Decibel-Pounding Concert
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Review: Arinzé Kene’s Misty Decries Gentrification in the Mouth of the Lion
Reviews Editor's Pick
Review: Radical Access Takes Center Stage in Ryan J. Haddad’s Dark Disabled Stories
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Review: A Doll’s House in Black and White With Jessica Chastain
Reviews
Review: Pericles, Shakespeare’s Very Happy Ending
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Review: Crumbs From the Table of Joy Looks at One Black Family’s Experience of the 1950s
 
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Review: You Didn’t Know You Kneaded the West End’s Great British Bake Off Musical
Reviews
Review: Hercules Takes Another Step on Its Hero’s Journey at Paper Mill Playhouse
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Review: Public Obscenities Keeps It Mostly Private
Reviews Editor's Pick
Review: Siblings Are Rooted to the Ground in Agnes Borinsky’s Surrealist The Trees
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Review: In The Best We Could (A Family Tragedy), Life Is a Road Trip With a Foregone Conclusion 
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Review: The Homeless Wait for More Than Just Shelter From the Cold in Love
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Review: The Tattooed Lady Fails to Leave Much of a Mark
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Review: My Broken Language Is Quiara Alegría Hudes’s Family Love Letter
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Review: Good Enemy, Immigrant Parents, and the Luxury of Forgetting
Reviews Editor's Pick
Review: You Will Get Sick Is a Buddy Comedy About Terminal Illness 
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Review: Only Gold Glitters as a Vibrant Ode to the Expressiveness of Dance
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Review: Body Through Which the Dream Flows and the Power Politics in Competitive Gymnastics
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Review: A Look at Four Girls' Lives Before the Salem Witch Trials in The Good John Proctor
Reviews
Review: In Rough Trade, Gay Millennials Look Toward Middle Age and Shudder
Reviews
Review: Broadway Revival of Dancin' Knows Fosse's Steps but Lacks His Vibe