As the show begins, the wall is sloped at a 45-degree angle. The players enter clad in conservative business suits, with briefcases in hand. They look poised for a meeting or a power lunch, and they successively slide down the wall while a remaining cast member strums an acoustic guitar. With graceful movements, they vault from one platform to another in rhythm to the serene music playing in the background. For a few minutes, it seems that the audience is attending an avant-garde show in a downtown venue rather than a children's theater.
Shortly after, however, the angle of the wall changes to 90 degrees and the show's increasingly silly tone -- part ballet, part circus -- reminds us of where we are. One actor finds a rubber ball that's used in juggling and dizzying sleight-of-hand routines. (During the performance that I attended, children in the audience were heard to ask "How did he do that?" about every five minutes.) Other actors make novel use of suction cups and Velcro in the form of a hilarious full-body suit. Then there's a live video segment (courtesy of Pierre Rigal) that employs trick camera work to present Chop Socky kung fu fighting. The performers -- Olivier Alenda, Aurélien Bory, Loïc Praud, Alexandre Rodoreda, Sylvain LaFourcade, and Stéphane Ley -- make their physical comedy look easy and their difficult stunts seem effortless.