“We Have No Need of Other Worlds (We Need Mirrors)” by Graham Sack

A son keeps vigil at his father’s bedside, reading aloud from the old man’s journals—cosmic reflections inspired by voyages across oceans and through jungles. The words feel eerily prescient, as though they were written with foreknowledge of this very moment. Perhaps the lesion in his father’s brain isn’t a disease at all, but a wormhole: a tunnel through space and time connecting different selves, different worlds.

We Have No Need of Other Worlds (We Need Mirrors) transforms that vigil into a live theater and immersive media experience exploring the relationship between family, memory, and technology. Part elegy, part biometric séance, the work uses interactive technology, video, and sound to link performers and audience members to a digital phantasm—a distortion in the fabric of the universe—asking whether memory itself might be a signal traveling through time, seeking someone to receive it.