Seattle Spotlight: April 2008
A Beautiful Lady
World premieres include Fathers and Sons by Michael Bradford (April 25-May 25), which examines a history of absence, mistakes, mistrust, and broken promises across three generations. Driftwood Players displays The Promise of Pittesville (April 20-28) by local actor-director Jeff Stilwell, a political stew in small town America. Wake (April 3-13) is the first production of Onward Ho! Productions, written by local Sonya Schneider and is an observant story of parents and children, friends and lovers, and complex relationships.
Theater Schmeater presents The American Pilot by Scottish playwright David Greig (April 25-May 24), a haunting tale of what happens to a small third world village when an American pilot is forced to parachute into their midst. The Cure at Troy by Nobel-prize winning poet Seamus Heaney (April 3-May 4) marches into Seattle Repertory Theatre bringing with it Hercules, Odysseus, and assorted Greeks. Charles Mee's Big Love (April 24-May 17), about 50 brides rebelling against forced marriage, is examined at Balagan Theatre.
A 1955 Brooklyn baseball-loving family is displayed in And Somewhere Men Are Laughing (April 24-May 17) at Eclectic Theater Company. Would you agree to die next week if you got a million dollars today? That's the premise for the reality-TV spoof, The Dead Guy at ArtsWest (April 2-26).
Classics of both the humorous and serious sort include Ghost Sonata (April 11-May 10) haunting Open Circle Theater, August Strindberg's precursor to horror movies. Ghost Light Theatricals presents George Farquhar's 1707 comedy The Beaux' Stratagem (April 4-19), with an all-female cast. Driftwood Players has fun with You Can't Take It With You (April 11-28) by Moss Hart & George S. Kaufman. Renton Civic Theatre presents both Agatha Christie's The Patient (April 20-29) and Robert Harling's Steel Magnolias (April 11-27).
The Ilkhom Theatre Festival continues its residency at ACT with Ecstasy with the Pomegranate (April 9-13) by their late director Mark Weil, in which a Russian artist becomes entranced with an Uzbek dance done only by young boys.