
On May 8, Snider will simultaneously release his new CD, Dee Does Broadway, a collection of theater music featuring duets with such superstars as Patti LuPone, Bebe Neuwirth, Cyndi Lauper, and Clay Aiken, and his autobiography, Shut Up and Give Me the Mic
. TheaterMania recently spoke to Snider about these projects and his possible return to Broadway.
THEATERMANIA: How did Dee Does Broadway come about?
DEE SINIDER: A while ago, I was joking around with Alice Cooper about doing this project together, but that didn’t happen. I wasn’t trying to deconstruct this music or insult anyone. I love theater songs and thought it would be great to find a different take on them. For example, I think “Tonight” from West Side Story is the original power ballad; and I wanted to present it to other heavy-metal music fans so that they might enjoy it and see how cool it is. The other thing that inspired me was the people I met at the stage door of Rock of Ages who had never been to a Broadway show. That show served as a great introduction to theater, so maybe this CD will also serve that purpose..
TM: How did you choose the selections on the CD?
DS: The first rule was it could not be a rock-musical song, like something from Hair or Jesus Christ Superstar, because then it would just be about turning up the guitars. The second rule was it had to be a song I connected with on some level, especially because I was used to writing my own songs. I think songs like “Razzle Dazzle” and “Cabaret” are a perfect fit. And I was so thrilled to find out that “Mack the Knife” was from a Broadway show, since it was a song I’ve always loved!
TM: What do you mean by always? How long have you known this music?
DS: These are the songs I grew up with; my parents are big fans of musical theater. I grew up on Long Island, but we didn’t go to Broadway. We went to the Guy Lombardo Theatre in Jones Beach, and I remember seeing Guys and Dolls, South Pacific, and Carousel.
TM: Let’s talk about all these great celebrity duets on the album. How did you pick those people?
DS: Having done Rock of Ages, I connected with some of the people in the theater community. Wesley Taylor was in our show, so I reached out to him and he put a call into Bebe Neuwirth for me, and then she contacted me and was so enthusiastic. I asked her to do Lola’s big song from Damn Yankees — and I had no idea she had done it on Broadway. I just thought it was good casting. Bebe led me to Patti LuPone. I did not expect her to say yes; I was surprised that she even knew who I was. I knew Cyndi Lauper from the old club days. I met Clay Aiken on Celebrity Apprentice and he immediately impressed me, and we’ve become friends.
TM: Did you originally plan to write a memoir to come out on the same day as the CD?
DS: No. Greater minds than mine thought it was a good idea to cross-promote the projects. I want you to know I wrote this memoir myself; there were no ghostwriters. When we first started the project, the people at Simon & Schuster didn’t believe I could do it alone. So I wrote a few chapters, and they said we love it and we love your style. And then I wrote 210,000 words — I had to tell my story chronologically — and then my editor cut it down to around 140,000 words.

(© Tristan Fuge)
TM: What’s the most surprising thing about the book?
DS: First, it’s really a love story about me and my wife, Suzette, which has thrived in spite of the band for 36 years. She has no real interest in music. Also, because I am clean and sober, and always have been, I’m a great observer of what happened during this time. I was able to step back and look at this decade of decadence.
TM: What are you most proud of in the book?
DS: Unlike other celebrities, I start my book at the lowest point in my career, after I had lost everything. I was flyering cars for my wife who was working as a makeup artist. No one ever talks about the low points in their lives — people like to keep up the façade of success — but I’m cool admitting I went bankrupt twice. I hope that honesty will speak to people.
TM: The CD is called Dee Does Broadway, but would you ever really do a Broadway show again?
DS: Doing Rock of Ages was one of the greatest experiences of my life, so yes, I would like to do it again. But it’s so absorbing, like touring — it’s hard being my age and married, with four kids and two grandkids, so it would have to be a limited run.
TM: Do you have any ideas in mind?
DS: Well, being my age and with my look, maybe I could do The Phantom of the Opera. And there’s been talk of bringing that musical, Robin and the Seven Hoods to Broadway and the producers have approached me about a role. And one of my favorite tracks on the CD is “The Ballad of Sweeney Todd.” So if I could do the whole show this way; that would be cool.
For TheaterMania’s audio share of “Tonight,” click here.