About the Show

In The Fever his corrosive exercise in theatrical conscience-baiting, Wallace Shawn argues that virtually every transaction undertaken by an American city-dweller rests on a sturdy foundation of moral turpitude. Going about our everyday business — hailing a taxi, scoring a reservation at a hot restaurant, taking a nice write-off for a donation to the opera — we are condemning unseen victims in violence-ridden third world countries to lives of want and suffering.

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