Eric Coble’s Sound-Biting tackles the arena of politics and presents a world where no underhanded smear is too low, no trick too dirty, and Satan is a paid advisor–in short, it presents the true political world. The play is set in the very near future where pollution, crime, and disease have driven everyone into self-exile within their homes, communicating only via phones, faxes, and e-mail. The show comes to Pegasus just in time for the election season. Kurt Kleinmann directs.