It’s All True, choreographed and directed by Hilary Easton, concerns a sentimental central character grappling with his past recollections. As he attempts to distinguish fact from fiction, six others engage in his process of remembering–preserving, forgetting, and distorting information. It’s All True leads us to ask questions about our understanding of the past, underscoring the tremendous ambiguities in our individual and collective recollections.