Genesis, no!

In this new evening-length piece, Adrienne Truscott and her dancers explore the anarchy of artifacts, the problem with primitive, and the conflation of epic timelines as they consider the possibilities and absurdities of a museum. Once their museum was curated, artifact, evidence, primitive man, overheard phrases, modern man and Kelly Clarkson collided. No matter how uninvited and unwelcome, theme and narrative, both biblical and mundane, began to assert themselves. They visited six museums and on the seventh day, they rested.