Does art imitate life? Or does life imitate art? From Pulitzer finalist and Tony Award nominee Sarah Ruhl (Dead Man’s Cell Phone, In the Next Room (or the Vibrator Play)) is this wickedly clever and charming tale about what happens when lovers share a stage kiss — or when actors share a real one. When two actors with a history are thrown together as romantic leads in a forgotten 1930s melodrama, they quickly lose touch with reality as the story onstage follows them offstage. The New York Times hailed Ruhl’s new play a “daffy comedy about the emotional pitfalls of the acting life.”