Into the Woods

The Tony Award Winning Production (Best Book, Best Score, Best Actress) by Stephen Sondheim and James Lapine, Into the Woods blends familiar fairy tales with the story of a childless Baker and his Wife, who catalyze the action of the story by attempting to reverse a curse on their family in order to have a child.

In the first act, the characters set out to achieve their goal of living “Happily Ever After” through familiar routes – Cinderella goes to the Ball and captures the heart of Prince Charming, Jack climbs the Beanstalk and finds a land of Giants and Gold, Little Red Riding Hood survives her clash with the wolf at Grandma’s house, and Rapunzel manages to escape her tower with the aid of a handsome prince who climbs her long hair. The Baker and his Wife move through their stories while pursuing their own goal – the witch who keeps Rapunzel (revealed to be the Baker’s sister) has put the curse on his house, and agrees to lift it if the Baker and his Wife can find the ingredients to help the Witch reverse a spell which has made her old and ugly. At the end of Act I, all characters seem poised to live “Happily Ever After”.

Act Two, however, deals with the consequences that traditional fairy tales conveniently ignore. What does one do with a dead Giant in the back yard? Does marrying a Prince really lead to a happy and fulfilling life? Is carving up the wolf the solution? Is the Giant always wrong? In Act Two, all the characters must deal with what happens AFTER “Happily Ever After”