?!: New Works 2026 – Night 13

The Brick presents
?!: New Works 2026 – Night 13
Featuring: Sophie Garrigus & Tess Inderbitzin | Sam Kann & Chloë Engel | doxies | Zipporah Norton & Caitlin Cobb-Vialet
April 24, 2026 at 8pm

?!:New Works features a veritable slew of experiment(al)(ing) artists from a variety of disciplines presenting brand new work. Working it out. With each other. With you.

We Can Fix This by Sophie Garrigus & Tess Inderbitzin
Part clown show, part history-lesson, part-aura cleansing, “We Can Fix This” is a 20 minute piece in which Tess and Sophie attempt to clear The Brick of residual negative energy. It comes from a quest to understand and trust the powerful embodied feeling of intuition, and break down a bad vibe into its component parts.
Written by Sophie Garrigus & Tess Inderbitzin

Complex Boy by Sam Kann in collaboration with Chloë Engel
In Complex Boy, Sam Kann and Chloë Engel slip in and out of a series of amorphous characters—a CEO obsessed with self-optimization, a fragile diva, a cruising dock worker, a teenage bisexual girl, and a roving cosmic id. As soon as each character comes into focus, they are already deteriorating, as near destruction and near climax is stretched for all to see and transformation erupts from the inside out.
Lighting design by Shana Crawford
Set support by Lydia Kern

desire lines by doxies
desire lines is a generative ambulation that utilizes text, movement, and an original score to navigate the divergent paths that impact the real-life identity of two artists working in the experimental New York performance scene, inform their ethics of creating, and embody the conversations they have at their kitchen table. There is song, there is dance, there is despair, there is vaudeville and clowning and guffaws, and there is love.
Movement, media, and text by RED and Jeremy Kadetsky.

Finger Trap by Zipporah Norton & Caitlin Cobb-Vialet 
Two bodies in papier-mache masks trapped in a garment of their own making. GIVE ME MY ARMS BACK!
Zipporah Norton, Cailtin Cobb-Vialet, Dan Hasse