All Over the Map
Boston pays musical tribute to Boston, Akron turns its eyes to Las Vegas, and everybody everywhere goes a-caroling.
"They were more than excited," reports Antoun, who claims to have heard hardly a peep of protest even as he changed some of the songs into duets or trios or futzed with gender pronouns as the show's needs demanded. "I e-mailed each songwriter first and said, 'I'm really interested in doing this song of yours--however, I want to do it as a trio,' just so there was no misunderstanding. And every one of them said, 'I can't wait to see what you do with it."
Centastage, now in its 11th season, has never been a particularly musically inclined outfit. What the company does is focus on local writers, producing plays like Bill Lattanzi's Dancing Downstream and La Vita Claire and annually presenting Women On Top, a festival of plays by Boston area women. This year, Antoun figured he'd expand that sort of commitment to songwriters and singers; all told, 11 tunesmiths will be represented--not including Antoun himself, who wrote an opening ditty about turning off cell phones and signing the mailing list. The songs are presented by local singers Melinda Stanford, Gregory Bouchard, and Jon Blackstone, plus some special guests. If all goes well, Boston Sings Boston will be a gift to the city's cabaret fans while simultaneously expanding Centastage's audience base. According to Antoun, "We did a whole different kind of marketing for this show."
And, with any luck, Boston Sings Boston will keep singing for a long time to come. "The place where we're doing the show is willing to make it a regular thing, should it catch on--which is a great thing," Antoun says. "We're having a ball. It's so much fun doing this! The normal stress of directing a play is not there." Which, for Joe Antoun, may be the greatest Christmas gift of all.
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AKRON SINGS VEGAS
This holiday season will be a long one at the Carousel Theater in Akron--it began on November 7 and won't end until January 13. Those are the dates for Razzle Dazzle 2001, an annual musical revue designed this year to bring the glamour and glitz of Las Vegas to Ohio. If this seems like a difficult task, note that Carousel's powers-that-be gave themselves a lot of time to work on it.
Also beautiful is Billy Hufsey, a favorite son of Ohio who found his fame on Fame and Days of Our Lives. Hufsey headlines Razzle-Dazzle, singing decades worth of Vegas standards; he's joined by juggler Nino Frediani and ventriloquist Sammy King (accompanied as always by his parrot, Francisco), who appeared on the very last Ed Sullivan Show. That's quite a Vegas lineup, folks--even if it is in Akron.
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JINGLE ALL OVER THE PLACE
"Christmas bells are ringing...somewhere else," sing the boho kids in Rent. They might as well sing "everywhere else," judging by the veritable cacophony of Christmas Carols that ring out at this time of year. Show me a city and I'll show you a production of Charles Dickens' classic A Christmas Carol--whether it's Chicago, home to the Goodman Theater's boffo production (November 25-December 22), or Atlanta, where the Alliance Theater fires up the Dickens chestnut as adapted and directed by the euphoniously named David H. Bell (November 16 through December 30), or any number of other places.
production of A Christmas Carol
Says Henry Godinez, who's directing the Goodman's production for the sixth year, "A Christmas Carol is a story about a journey, about redemption and self-examination and transformation. It kind of addresses the needs of people in the same way that It's A Wonderful Life does--it's the 'What if?' story. At least once a year, people need to stop and reflect and think about the ramifications of our actions among our fellow man. Certainly, this year, that's something that could be quite important."
New Yorkers have their pick of at least two Christmas Carols: the annual production at the Theater at Madison Square Garden, this year starring Tim Curry as Scrooge, and the much more intimate TheatreWorks/USA production. But if you're not the Carol-ing type at all, just head to New Orleans and pop into the Saenger Performing Arts Center any time between December 11 and 16. After all, what could look less like Christmas than Fiddler on the Roof?