In 2015, Mohegan theater-maker Madeline Sayet travels to England to pursue a PhD in Shakespeare, where she finds a country that refuses to acknowledge its ongoing role in colonialism, just as the Brexit vote threatens to further disengage the UK from the wider world.
In this stirring solo piece, Madeline echoes a journey to England braved by her Native ancestors in the 1700s following treaty betrayals — and forces us to consider what it means to belong in an increasingly globalized world.