In 2005, a mother and daughter living on the Upper West Side fall victim to the storm that shook America: Hurricane Katrina. As they excavate their apartment riddled with pop culture detritus, the ever-shifting but always stifling parameters of feminine performance begin to chafe. Pairing traditions of drag performance with elements of conventional absurdist theatre, It’s All Coming Back to Me Now says goodbye to the romance of yesterday’s America through an examination of Canadian pop music, spearheaded by snow diva Celine Dion.