No wonder NASA chose Laurie Anderson as its first artist-in-residence. An intrepid multimedia pioneer long obsessed with our ever-changing romance with technology and how we think about ourselves in relation to the rest of the planet, Anderson weaves stories, music, songs, and words into epic portraits of American culture. The End of the Moon, the second in a series of intentionally low-tech solo works featuring her remarkable music for violin and electronics, marks Anderson's fifth BAM production. A decidedly more contemplative sister to her first solo effort, the extraordinary, sharply observed Happiness, The End of the Moon turns to the incisive power of words to convey how we feel about ourselves at this complex juncture. Drawing from her NASA-inspired travels and research, impression-packed journals, dreams, and theories, Anderson takes us on a music-theater journey that examines, among many other compelling themes, 21st-century perceptions of beauty and time, and the stories we exchange to help us along the way.