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Two groundbreaking plays, one stage. In one night we present some of the finest work from the man dubbed “the father of the Black Arts Movement” and the woman ostracized as she took up nonlinear forms that challenged tradition. While one playwright reveals the absurdity of structural racism by evoking a nautical ghost story, the other uses absurdism to explore internalized racism. Both bravely traverse the
ominous corridors of American history