Orchestral transcriptions of The Disintegration Loops by Maxim Moston have been performed at The Metropolitan Museum of Art, Queen Elizabeth Hall and La Batie Festival in Geneva, Switzerland, Dark Mofo Festival in Hobart Tasmania and most recently Pitchfork Midwinter Festival with the Chicago Philharmonic.

“William Basinski is usually the guy to go to when you want to hear slow and decadent ambience.” – Pitchfork

“This is vital music for the human condition, divinity culled from dust.” – NPR

Brooklyn-based composer, musician, and producer Faten Kanaan builds up cyclical patterns in her music, using harmony and counterpoint as narrative tools. Sound & silence become intuitive gestures that tell a wordless story. Inspired by cinematic forms and literary structures: from sweeping landscapes and quiet romances, to patterned tensions and dream sequences; she focuses on bringing an earthy, visceral touch to electronic music. In symbiosis with technology is an appreciation for the vulnerability of human limitations and nuances.