Review: How to Dance in Ohio Is a Game Changer for Accessibility on Broadway
Review: Adrift Describes Both a Hieronymus Bosch Painting and Our Brains During This Play
Review: Alpha and Beta Males Square Off in Rare Revival of James McLure’s Lone Star
Review: Mary Kathryn Nagle’s Manahatta Is a Land Acknowledgment Writ Large
Review: Women of a Certain Age Have Their Say in Madwomen of the West
Review: The Jinkx and DeLa Holiday Show Achieves Sentience
Review: The Jerusalem Syndrome Depicts Tourists Driven Mad by the Holy City
Review: Spain Shows What a Communist Dictatorship Can Do for Your Film Career
Review: ’Til Death Is a Low-Stakes Succession for the Professional Class
Reviews: School Pictures, Amusements, and Sad Boys in Harpy Land at Playwrights Horizons
Review: Matthew Broderick Stars in a Babbit Adaptation That Lacks Bite
Review: With Four Women and Two Deer, a Family Fantasy in The Gardens of Anuncia
Review: Amid Falling Walls Revives the Holocaust-Era Music of Resistance
Review: Alfred Molina and John Douglas Thompson Square Off in Blustery Inherit the Wind
Review: Hershey Felder Imagines Chopin’s Last Piano Lesson in Monsieur Chopin
Review: Spring Awakening Feels a Little Sleepy in New East West Players Production
Review: Hell’s Kitchen, a Coming-of-Age Musical Set in Alicia Keys’s New York
Review: Mind Mangler Entertains More With Laughs Than With Magic
Review: Monty Python’s Spamalot Returns to Broadway in a Test of Expiration Dates
Review: Scene Partners, a Half-Baked Hollywood Cinderella Story
Review: A Dental Lab Technician Wrestles With Questions of Career and Family in Off-Beat A Good Day to Me Not to You
Review: The Prince of Egypt Stage Musical Comes to BroadwayHD
Review: Waiting for Godot, Starring Michael Shannon and Paul Sparks, Still Packs a Wallop — and an Angry One, Too
Review: Afghanistan and Iraq Veterans Have Their Say in War Words