Radha Blank's provocative play about a burnt-out social worker is brought to vivid life by a dynamic cast.
Anne has had some high-profile successes in her career, most notably saving six children from being shot to death by their mentally unstable mother. However, she has also had cases that continue to haunt her -- including that of Rashawn (Pernell Walker), whom she rescued from a crack-addicted mother, only to have the girl get lost and abused in the foster care system, and eventually wind up in prison, where Anne visits her.
These visits -- which continue even after Anne has supposedly given up her caseloads -- signal the difficulty Anne has in letting go, and a tendency to get emotionally attached to her clients. So, it's not too surprising that when she meets the bright, but underprivileged youth Chee-Chee (Khadim Diop), she becomes overly involved in the boy's welfare despite the resistance of Chee-Chee's mother, Latonya (Jocelyn Bioh).
Blank's script combines naturalistic dialogue with more stylized passages full of rhythm and rhyme that wouldn't be out of place at a slam poetry competition. This technique is epitomized by a hysterically funny speech from Latonya about working at a Duane Reade, which Bioh delivers with just the right touch of sass.
Evans presents a layered approach to her character, conveying a reserved professionalism mixed in with a childlike eagerness and an emotional fragility that causes Anne to make a fateful decision towards the end of the play that has severe consequences.
The 14-year-old Diop makes a fantastic Off-Broadway debut, perfectly capturing his character's keen intelligence and intense longing to feel comfortable in his own skin. He's also very funny.
Walker has a powerful presence that can make Rashawn seem quite intimidating, but the actress also brings a warmth to the role, particularly when the inmate talks about her pottery talents. Rounding out the cast is Jaime Lincoln Smith as Twan, who is Chee-Chee's father. Although his stage time is limited, the actor brings depth to his performance and easily conveys Twan's convictions and love for his son.