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Quick Wit: Tony Torn
By Kirk Wood Bromley · Jun 23, 2000 · New York City
Kirk Wood Bromley chats with the actor, who may currently be seen in a revival of Ionesco's The Picture.
Macbeth and Macbeth (and Macbeth)
By Leonard Jacobs · Jun 23, 2000 · New York City
In 1999, a call for a moratorium on producing Shakespeare came from, of all places, the ranks of the esteemed Royal Shakespeare Company. Director Matthew Warchus' idea sounded like one the most thou...
Kulick in the Park
By Kathryn Walat · Jun 23, 2000 · New York City
Brian Kulick tells Kathryn Walat about directing the tragedy, comedy, romance, adventure, and redemptive power of love in The Winter's Tale, the current Shakespeare in the Park.
Joanne Woodward in Westport
By Ward Morehouse · Jun 22, 2000 · New York City
The Oscar-winning actress takes over the reins of the Westport Country Playhouse.
Direction: Umbria
By Lisa Stephenson · Jun 22, 2000 · New York City
Artists retreat to a 700-year-old convent, renovated Ellen Stewart-style, for LaMama-Umbria's Directors' Symposium. Lisa Stephenson reports.
Big Kiss is a Wet One
By David Finkle · Jun 22, 2000 · New York City
David Finkle reviews HENRY ALFORD's Big Kiss: One Actor's Desperate Attempt to Claw His Way to the Top, or in Alford's case, the middle.
You Look For Me
By Robert Kent · Jun 21, 2000 · New York City
Gay Pride is here and with it comes a parade of queer- and queer-interest productions. The class of 2000 includes Syria, America, Happy Anniversary, Bruce Vilanch in Almost Famous, Straight-Jacket...
Wise Guys and Assassins redux?...Bacharach on Broadway?...Thoroughly Modern Dilly
By Charles Nelson · Jun 21, 2000 · New York City
The scoop on Wise Guys, Assassins, Tom Sawyer, White Christmas, and a host of other shows pending and percolating.
Pan Asian Gets Fresh
By Lisa Stephenson · Jun 21, 2000 · New York City
A 20-something romantic comedy of 1930s style, The Poet of Columbus Avenue marks a change for Pan Asian Rep. Lisa Stephenson reports.
Straight-Jacket
By Andy Buck · Jun 21, 2000 · New York City
In the mid-1950s, movie actors could ruin their careers in two easy ways: by publicly declaring (a) their leftist sympathies, or (b) their homosexual tendencies. (It's not so simple anymore--although,...
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