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The Theatre of a Two-Headed Calf

About the Show

Outlaws are conjured and liberated in a performance inspired by San Francisco Renaissance poet Jack Spicer’s 1958 poem Billy the Kid. Aliens, aliases, and renegade desires (both poetic and sexual) possess five characters over a long night of drinking, singing, and seeking. Manifestos are subverted/inverted/perverted in search of a language that can queer their world.

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