In this bold, incendiary riff on Waiting for Godot, two young black men are standing around on the corner — talking smack, killing time, and hoping that maybe today will be different. When a white man wanders into their space, an escalating crisis threatens to prevent their escape from the block. In Pass Over, pop culture collides with historical and religious references to create a hilarious and disturbing meditation on manhood, race, and the cycle of violence that prevents too many from realizing their potential.
Playwright Antoinette Nwandu is a member of the Ars Nova Play Group. Her plays have been produced and developed by Page73, Ars Nova, the Flea, and Naked Angels, among others. She is a recipient of the Lorraine Hansberry Playwriting Award, the Negro Ensemble Company's Douglas Turner Ward Prize, and a literary fellowship from the Eugene O'Neill Playwrights Conference. In spring 2016, Pass Over received a workshop as part of the Cherry Lane Mentor Project under the mentorship of Katori Hall.