Wood, featuring music by Juliane Wick Davis with book and lyrics by Dan Collins, is one of the most anticipated offerings. The show is a modern day re-imagining of A Midsummer Night's Dream that revolves around 17-year-old Herman (played by Jason Michael Snow) who sneaks off into the woods to explore his homosexual desires. "Things happen in the woods that you wouldn't normally do in the world," says Huffman, who plays Herman's mother, Judy. "We also have a fairy chorus -- three boys that you're not sure if they're making things happen, but maybe they are!"

Huffman's character is naturally distrustful of the woods, she says. "To me, they signify the moment when he would lose himself. I am trying to destroy them, basically, to save our little perfect town. The musical is a story of a mother trying to hold on to her son's sexual naivete; she wants him to stay her sweet little boy." As for the score, the actress calls it a mixture of pop and a more traditional music theater sound. "I have two big songs, and they're very different from each other. One's big comedy, and the other's the big cathartic realization that my life is crap!"

Zeffiro -- who penned book, music, and lyrics -- uses a show-within-a-show format that mimics how the film was originally presented. "They would pitch a tent outside of town, and then the locals would come out to the tent to see the movie," he explains. "That solved a problem for me. It's the story about the destruction of a 15-year-old girl, and if you use a real 15-year-old girl, that's not funny. But if you have the distance of a show within a show and use a 25-30 year-old woman playing 15, then it's funny."

Broadway stars Sally Mayes and Josh Strickland lead a cast of five -- which also includes Kristen Sergeant, Daniel Torres, and Michael McGurk -- in the jazz-inflected musical, Play It Cool, conceived by Larry Dean Harris with a book by Martin Casella and Harris. "It's just so wonderful to hear Sally Mayes sing jazz!" exclaims Sharon Rosen, the show's director. "We were really looking for people who could do that. A lot of wonderful actors came in and could sing beautifully, but they couldn't swing."

The piece is built around lyrics by Mark Winkler, and includes pre-existing songs that he wrote with a number of composers as well as music composed specifically for the show with Phillip Swann. "When I came on board in 2005, I talked about how we needed one composer to pull everything together," says Rosen. "I think Phil has written about half the songs, and some of the others have had lyric changes to help adjust it. This has been such a great collaboration. I've worked on a lot of things, and haven't had the musical conversation with people that I've had with this project."

Other offerings include the rock satire Bedbugs!!!, Love Jerry, about a family dealing with the discovery that the uncle is a pedophile, and Wild About Harry, a commissioned dance musical about Leona Helmsley. "We have a fair amount of escapism, as well as some really dark material,"says executive director Isaac Robert Hurwitz. "That's exciting because musical theater is a large umbrella and there's room for all of that."

In addition to its more celebrated productions, NYMF also encompasses a number of concerts and partner events, which will include Prospect Theatre Company's 10th anniversary concert, featuring Matt Cavenaugh, Gavin Creel, Malcolm Gets, Adam Jacobs, and Jose Llana; a panel on writing musical comedy that features Nell Benjamin (Legally Blonde), Mark Hollmann (Urinetown), and Bobby Lopez (Avenue Q); and a talk by [title of show] creators/stars Hunter Bell and Jeff Bowen, who were responsible for the festival's first Broadway transfer. Says Hurwitz of these events: "It's really been about trying to find things that celebrate musical theater and highlight the talent that's out there."