New York City
Charles Perrault’s timeless fairy tale about a young girl cursed to sleep for one hundred years was turned into a legendary ballet by Tchaikovsky and choreographer Marius Petipa in 1890. Bourne takes this date as his starting point, setting the christening of Aurora, the story’s heroine, at the height of the fin-de-siecle period, when fairies, vampires and decadent opulence fed the gothic imagination. As Aurora grows into a young woman, we move forward in time to the more rigid, uptight Edwardian era–a mythical golden age of long summer afternoons, croquet on the lawn and new dance crazes. Years later, awakening from her century-long slumber, Aurora finds herself in the modern day, a world more mysterious and wonderful than any fairy tale.