New York City
With the upcoming election as a backdrop, March to November is an examination of one artist’s search to find political responsibility in her work.
Inspired by SF Weekly theatre critic Chloe Veltman’s January 9, 2008 article entitled “Election Stage Left,” which challenged Bay Area playwrights and theatre companies to create more “political” works, Sleepwalkers answers the call to arms with a classic hero story that assesses the relevance of overtly political theatre.