New York City
Curation and the Politics of Listening
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How do we choose what art an audience gets to see? How do we know what they will like, what we like, what will entertain and provoke, and what will sell tickets? How is our curatorial practice a reflection of our own identities and the identities of the audiences we imagine? Finally, how much of curatorial expertise comes from knowing and how much from listening to the communities we represent?