New York City
Ronnie Burkett returns to the du Maurier World Stage Festival in 2000, on the heels of an outstanding year that included his first West End run at London’s Barbican and the phenomenally successful production Street of Blood. Happy, Burkett’s much-anticipated, newest creation, examines the question of whether happiness is the lucky domain of a select few or the result of constant struggle and striving beyond the layers of human despair.