Review: Fingers & Spoons Is a Solo Play About How Not to Open Your Marriage
Review: Message in a Bottle, a Story of War and Refuge Told Through the Music of Sting
Review: Choose Your Own Adventure at Dungeons & Dragons: The Twenty-Sided Tavern
Review: The Brief Life & Mysterious Death of Boris III, King of Bulgaria
Review: Finding Joy in Grief in The Keep Going Songs
Review: I Ought to Be in Pictures Has Some Nostalgic Charm but Not Much Else
Review: Galilee, 34 Imagines What Christ’s Followers Did Right After His Death
Review: Prelude to a Kiss, The Musical Is a Big, Sloppy Mess
Review: Staff Meal Is a Sample Platter of Surreal Situations
Review: Illinoise on Broadway Makes Audiences’ Hearts Dance to Sufjan Stevens
Review: A No-Expense-Spared Great Gatsby on Broadway, With Jeremy Jordan Belting to the Rafters
Review: Jessica Lange as a Parent From Hell in Paula Vogel’s Emotional Mother Play
Review: Jordans Is a Shaggy Satire of New York’s Cultural Elite
Review: Steve Carell Leads an All-Over-the-Place Uncle Vanya at Lincoln Center Theater
Review: Amy Herzog’s Mournful Lullaby Mary Jane Comes to Broadway With Rachel McAdams
Review: Grenfell Looks at the Failures That Led to a Deadly Fire in a London High-Rise
Review: The Heart of Rock and Roll Beats Us Into Submission With High Spirits
Review: Patriots on Broadway Unpacks the Power Struggle for Russia
Review: Contemplating the Meaning of Home and Moving On in Stargazers
Review: Cabaret Returns to Broadway in an Incoherent Revival
Review: Taylor Mac Journeys Through Genders and Centuries in an Exuberant Orlando
Review: In Alicia Keys’s Hell’s Kitchen, the Concrete Jungle Teems with Life
Review: The Art of Making Art in Stereophonic, a True Broadway Masterpiece
Review: Hester Street Offers Humor, Heartache, and Hope on the Way to the American Dream