Review: Love Is Hell for the Men in The Fires
Review: Three Houses, a Covid Cabaret From Composer Dave Malloy
Review: The Hours Are Feminine Is the Story of Puerto Rican Immigrants on Long Island
Review: The Lonely Few Presents a Rocking yet Generic Queer Love Story
Review: Laughing Through Struggles at ha ha ha ha ha ha ha
Review: Invasive Species Is an Insane Drama School Memoir
Review: All of Me, New Comedy About Disabled Lovers, Flashes With Wit and Romance
Review: Here There Are Blueberries Depicts Nazis at Play in Auschwitz
Review: Fingers & Spoons Is a Solo Play About How Not to Open Your Marriage
Review: Message in a Bottle, a Story of War and Refuge Told Through the Music of Sting
Review: Choose Your Own Adventure at Dungeons & Dragons: The Twenty-Sided Tavern
Review: The Brief Life & Mysterious Death of Boris III, King of Bulgaria
Review: Finding Joy in Grief in The Keep Going Songs
Review: I Ought to Be in Pictures Has Some Nostalgic Charm but Not Much Else
Review: Galilee, 34 Imagines What Christ’s Followers Did Right After His Death
Review: Prelude to a Kiss, The Musical Is a Big, Sloppy Mess
Review: Staff Meal Is a Sample Platter of Surreal Situations
Review: Illinoise on Broadway Makes Audiences’ Hearts Dance to Sufjan Stevens
Review: A No-Expense-Spared Great Gatsby on Broadway, With Jeremy Jordan Belting to the Rafters
Review: Jessica Lange as a Parent From Hell in Paula Vogel’s Emotional Mother Play
Review: Jordans Is a Shaggy Satire of New York’s Cultural Elite
Review: Steve Carell Leads an All-Over-the-Place Uncle Vanya at Lincoln Center Theater
Review: Amy Herzog’s Mournful Lullaby Mary Jane Comes to Broadway With Rachel McAdams
Review: Grenfell Looks at the Failures That Led to a Deadly Fire in a London High-Rise