Plasmic Patterns

Where does the sound begin and end? Where is the boundary between sound, the body, and the environs of stage & audience? Maeshiba’s work to date has focused on unveiling the body’s most primal state. Hayleck works with sound as both a perception and as a physical object. Using unique theatrical language, Hayleck and Maeshiba delicately examine the vertical and the horizontal dimensions through the shifting temporal and spatial relationship with each other.