Tremblay’s Damnée Manon, Sacrée Sandra, explores one of humanity’s oldest questions: “where do I belong?” Through the intertwining monologues of Manon, an introverted Catholic zealot whose previously direct line of communication with God has collapsed, and Sandra, a flamboyant transvestite has begun to realize that her existence can not be built on the backsides of her lovers, each strives to find their solution in the sacred and the sacrilegious. We see that perhaps these two characters have more in common than they ever could have imagined.