New York City
One of Canada’s most exciting choreographers and dance companies returns with a fresh blast of intelligent and provocative dance — in Christopher House’s compelling New York premiere “Sly Verb” (2003). Exploring touch, perception and boundaries, “Sly Verb” seduces with the beauty of its dancing and the force of its ideas. Phil Strong’s score throbs with the pulse of life, while Scott Eunson’s inventive set evokes the fragility of the body’s architecture. The result? Pure kinetic poetry.
Contains full male and female nudity.