Alexandra Cuesta: Camera Notes (Part One) / Notas de Cámara (Parte Uno)

Known for her experimental, precise and hypnotic portraits of places and people shot in 16mm (Recordando El Ayer, Beirut 2.14.05, Piensa En Mí, Despedida, Territorio), Alexandra Cuesta expands her cinematic vocabulary into an “intimate ethnography,” shot over three years in upstate New York, Los Angeles, Japan, and Chile. Setting up the process of regularly shooting a “film gesture” almost daily, Camera Notes records “fragments of the everyday intimate.”