New York City
Skin for Skin depicts the biblical Job as a Muslim-American contractor in Baghdad who is suspected of aiding Al-Qaeda. He is imprisoned in an Abu Ghraib-type “black site” and subjected to “enhanced interrogation” as supervised by an American psychologist. The play explores the unintended consequences of torture in the name of God, country, and money. It also features choreography from members of Chicago Danztheatre Ensemble and Actors Gymnasium.