Review: Operation Mincemeat and the Case for Why Small Shows Need Small Theaters
Review: David Greenspan Returns Off-Broadway to Play a Silent Starlet in On Set With Theda Bara
Review: Mona Pirnot Finds Her Voice in I Love You So Much I Could Die
Review: Between Two Knees Is Church Masquerading as Comedy
Review: Kate Douglas’s The Apiary Begs Us to Consider the Bees
Review: Munich Medea: Happy Family, a Drama About Finding Family in Tough Circumstances
Review: You Don’t Have to Do Anything Redefines the Memory Play
Review: Eddie Izzard Finds Humanity and Humor in Hamlet
Review: Cole Escola Drags Mary Todd Lincoln in Oh, Mary!
Review: Russian Troll Farm Is an Office Comedy About Online Disinformation
Review: In Bark of Millions, Taylor Mac Presents Queer History in 55 Songs
Review: Jason Robert Brown’s The Connector Is a Talented Mr. Ripley for the Journalism Set
Review: Jonah Looks at the Creative Ways We Deal With Pain
Review: The White Chip Makes a Welcome Return Off-Broadway
Review: Ladysitting is an End-of-Life Drama with Heart
Review: A Family Tries to Escape From Its Emotional Cage in The Animal Kingdom
Review: Neil Patrick Harris Directs Explosive Tick, Tick … Boom! at Kennedy Center
Review: Jane Levy Stands Out in Uneven POTUS at the Geffen Playhouse
Review: Kelli O’Hara and Brian d’Arcy James Tear Our Hearts Out in Days of Wine and Roses
Review: You Won’t Get Your Kicks During The Greatest Hits Down Route 66
Review: Sutton Foster and Michael Urie in an Exuberant Once Upon a Mattress
Review: Under the Radar 2024: Public Obscenities
Review: Nutty Second City Revue Oh, the Places You’ll Glow! Gets Laughs With a Bright Cast
Review: Housecleaning Is a Woman’s Path to Marital Bliss in In Quietness