New York City
History, poetry, and tragedy collide when Roger Guenveur Smith tackles the harrowing odyssey of Rodney King, from the harsh initial glare of the national spotlight as the victim of police brutality to his involuntary martyrdom that ignited the L.A. riots to his lonely death at the bottom of a swimming pool. Rodney King is a rhythm-driven mix of improvised movement and theatre, spoken word poetry and, as Roger himself describes it, a “post-mortem interview with the man himself.” Nestled between excerpts from Willie D’s “F**k Rodney King” and King’s memorable May 1, 1992 “Can we all get along?” speech, the piece is an exploration of the legacy of an icon of American history.