Seattle Spotlight: February 2011
Showtunes Theater Company presents The Melody Lingers On: The Music of Irving Berlin (February 5-6) with a cast including Shelly Burch and Louis Hobson, and directed by Tony winning Martin Charnin. Seattle Shakespeare Company swashbuckles with Bertolt Brecht's The Threepenny Opera (February 16-March 6). John Bogar plays Mac the Knife, a dapper criminal who leaves a trail of broken hearts and slashed throats wherever he roams, and Julie Briskman plays saucy prostitute Jenny. The Drowsy Chaperone lounges at Seattle Musical Theatre (February 11-March 5). Jon Lutyens plays Man in Chair. Singing nuns appear in Nunsense at Redwood Theatre (February 11-26).
Seattle Repertory explores Louisiana and West African mythology with The Brothers Size by Tarell Alvin McCraney (February 4-27) as a man recently released from prison clashes with his straight-and-narrow brother. ReAct Theatre, along with Pratidhwani and ACT Theatre, gets multicultural with Mother in Another Language by Taniya Hossain (February 18-March 6) when Tarak, a Bengali expatriate, and Karen, an American, decide to get married.
Classic books come to life as Taproot presents The Odyssey (February 2-March 5), starring Mark Chamberlin. Dickens' Great Expectations is given the "Book It" treatment at Book-It Repertory Theatre (February 8-March 6) as the orphaned Pip finds a new life as a gentleman in London.
Washington Ensemble Theater opens a world premiere by Michael Mitnick, Babs The Dodo (February 3-March 14), with Marty Mukhalian as the title character. Another world premiere by Man Alone Productions is 3 Screams by local playwright Vincent Delany (February 4-26), centered on a contemporary theft of Edvard Munch's "The Scream." Annex Theatre world premieres Penguins 4: Suffer the Children (February 5-18) a series of uproarious comedy sketches with nuns and priests in a gun war like mafioso. Annex also presents I Was a Fat Kid... I Was a Really Fat Kid! (February 1-16) as Portland storyteller Nathaniel Boggess transforms his childhood as an outcast into rueful, squalid, and comic tales.
Stone Soup teaches lessons with How I Learned to Drive by Paula Vogel (February 4-27). Burlesque to Broadway is hitting the Triple Door (February 23-25); the fast paced show is directed by Tony winner Joseph Hardy and features Quinn Lemley.
Phoenix Theatre pops a cork with Drinking Alone, by Norm Foster (February 4-27) as Joe Todd hires Renee Duchane to pose as his fiancé for an evening so that he can impress his father. Agatha Christie's The Mousetrap is at Renton Civic Theatre (February 25-March 12), where a group of strangers is stranded in a boarding house during a snow storm with a murderer.