Interview: In Here There Are Bluberries, Moisés Kaufman and Amanda Gronich Tell a New Holocaust Story
Review: Amy Herzog’s Mournful Lullaby Mary Jane Comes to Broadway With Rachel McAdams
Dead Outlaw, Stereophonic Lead 2024 Outer Critics Circle Award Nominations
Hadestown: Teen Edition Is Now Available in North America
Suffs to Get Original Cast Recording
Adi Roy to Play Title Role in Aladdin on Broadway
Review: Grenfell Looks at the Failures That Led to a Deadly Fire in a London High-Rise
Interview: John Cardoza on Love, Loss, and The Notebook
Review: The Heart of Rock and Roll Beats Us Into Submission With High Spirits
Review: Patriots on Broadway Unpacks the Power Struggle for Russia
Tony Awards Administration Determines Additional Eligibility for Shows
Take a Look at Cabaret Opening Night Pics
Review: Contemplating the Meaning of Home and Moving On in Stargazers
2024 Drama League Award Nominations Announced
Interview: Taking a Page From Bekah Brunstetter’s Notebook
Review: Cabaret Returns to Broadway in an Incoherent Revival
Review: Taylor Mac Journeys Through Genders and Centuries in an Exuberant Orlando
Review: In Alicia Keys’s Hell’s Kitchen, the Concrete Jungle Teems with Life
Review: The Art of Making Art in Stereophonic, a True Broadway Masterpiece
Review: Hester Street Offers Humor, Heartache, and Hope on the Way to the American Dream
Follies Concert, With Norbert Leo Butz, Donna Murphy, Christine Ebersole, and More, to Play Carnegie Hall
Review: Gun & Powder Takes Aim and Hits Its Target
Interview: Juggling The Who and Huey Lewis, Lorin Latarro Choreographs Two Broadway Shows at Once
Review: Shaina Taub’s Suffs on Broadway Sacrifices the Personal for the Political