Review: Russian Troll Farm Is an Office Comedy About Online Disinformation
Review: In Bark of Millions, Taylor Mac Presents Queer History in 55 Songs
Review: Jason Robert Brown’s The Connector Is a Talented Mr. Ripley for the Journalism Set
Review: Jonah Looks at the Creative Ways We Deal With Pain
Review: The White Chip Makes a Welcome Return Off-Broadway
Review: Ladysitting is an End-of-Life Drama with Heart
Review: A Family Tries to Escape From Its Emotional Cage in The Animal Kingdom
Review: Neil Patrick Harris Directs Explosive Tick, Tick … Boom! at Kennedy Center
Review: Jane Levy Stands Out in Uneven POTUS at the Geffen Playhouse
Review: Kelli O’Hara and Brian d’Arcy James Tear Our Hearts Out in Days of Wine and Roses
Review: You Won’t Get Your Kicks During The Greatest Hits Down Route 66
Review: Sutton Foster and Michael Urie in an Exuberant Once Upon a Mattress
Review: Under the Radar 2024: Public Obscenities
Review: Nutty Second City Revue Oh, the Places You’ll Glow! Gets Laughs With a Bright Cast
Review: Housecleaning Is a Woman’s Path to Marital Bliss in In Quietness
Review: Live Artery/Under the Radar 2024: Dynasty Handbag: Titanic Depression
Review: Our Class, 20th-Century Poland in 14 lessons and 10 Students
Review: Aristocrats, Brian Friel’s Dull Eulogy for the Irish Catholic Elite
Review: An Underappreciated LGBTQ Icon Blazes to Life in Make Me Gorgeous!
Review: Prototype Festival 2024: Terce: A Practical Breviary
Review: Prototype Festival 2024: Chornobyldorf Imagines Opera in the Future
Review: Under the Radar 2024: Pushkin “Eugene Onegin” In Our Own Words
Review: Prayer for the French Republic and a One-Way Ticket to Israel
Review: Under the Radar 2024: Open Mic Night