Review: Sunset Baby, A Drama Ahead of Its Time, Gets a Revival
Review: Five: The Parody Musical Is Significantly Less Than Six
Review: The Sound of Silence is Haunting in New Musical Private Jones
Review: The Wiz Tour Has Great Vocals, But Stumbles on the Road to Broadway
Review: Succession‘s Sarah Snook and a Phalanx of Cameras Bring Dorian Gray to London
Review: Richard Burton and Sir John Gielgud Create a Hamlet for the Ages in The Motive and the Cue
Review: Operation Mincemeat and the Case for Why Small Shows Need Small Theaters
Review: David Greenspan Returns Off-Broadway to Play a Silent Starlet in On Set With Theda Bara
Review: Mona Pirnot Finds Her Voice in I Love You So Much I Could Die
Review: Between Two Knees Is Church Masquerading as Comedy
Review: Kate Douglas’s The Apiary Begs Us to Consider the Bees
Review: Munich Medea: Happy Family, a Drama About Finding Family in Tough Circumstances
Review: You Don’t Have to Do Anything Redefines the Memory Play
Review: Eddie Izzard Finds Humanity and Humor in Hamlet
Review: Cole Escola Drags Mary Todd Lincoln in Oh, Mary!
Review: Russian Troll Farm Is an Office Comedy About Online Disinformation
Review: In Bark of Millions, Taylor Mac Presents Queer History in 55 Songs
Review: Jason Robert Brown’s The Connector Is a Talented Mr. Ripley for the Journalism Set
Review: Jonah Looks at the Creative Ways We Deal With Pain
Review: The White Chip Makes a Welcome Return Off-Broadway
Review: Ladysitting is an End-of-Life Drama with Heart
Review: A Family Tries to Escape From Its Emotional Cage in The Animal Kingdom
Review: Neil Patrick Harris Directs Explosive Tick, Tick … Boom! at Kennedy Center
Review: Jane Levy Stands Out in Uneven POTUS at the Geffen Playhouse