Review: Lempicka on Broadway Pays Tribute to a Great But Unknown Artist
Review: Las Borinqueñas Highlights Exploited Puerto Ricans Behind Birth Control
Review: The Outsiders Becomes a Soggy Broadway Musical
Review: Macbeth (an Undoing) Is Revisionist Shakespeare for Depressed Feminists
Review: Len Cariou Gives a Strong Performance in an Uneven Tuesdays With Morrie
Review: Funny Girl Makes a Star of Its Lead Katerina McCrimmon
Review: A Eugene Onegin Fueled by Secret Gay Love
Review: Travels Journeys Through Song and Sadness
Review: In Fish, Kia Corthron Pulls Back the Curtain on the New York City Public School System
Review: The Who’s Tommy Is Back to Introduce a New Generation to the Best Rock Opera Ever
Review: Grief Hotel, Where You Can Check-Out Any Time You Like, but You Can Never Leave
Review: In Philadelphia, Here I Come!, an Irishman Wonders If He Should Stay or Go
Review: Bathhouse.pptx Is an Unsexy Play Set in a Gay Sauna
Review: Water for Elephants Is Broadway’s First Fully Integrated Circus Musical
Review: Laurence Fishburne Leaves Us Wanting Morpheus in Like They Do in the Movies
Review: Teeth Is a Wild Horror Musical About a Carnivorous Vagina
Review: Ramin Karimloo Leads Jazz-Infused Opera Songbird in Washington, DC
Review: A Family Deals With Tradition and Change in Charming One of the Good Ones
Review: A Battle of the HBO Stars in Rousing Enemy of the People on Broadway
Review: A Fresh Sunday in the Park With George Brims With Color and Light in New Jersey
Review: Penelope Redefines a Key Character of Homer’s Odyssey
Review: Shakespeare and Shaw Are a Deadly Combination in The Assassination of Julius Caesar
Review: The Notebook Is Broadway’s Guaranteed Tearjerker
Review: In Ibsen’s Ghost, Charles Busch Plays the Widow of a Famous Playwright