Review: Looking for Love and Dirty Clothes at the Brooklyn Laundry
Review: In The Ally, a Jewish College Professor Is Asked to Denounce Israel
Review: Three Scenes in the Life of a Trotskyist, When a Leftist Would Rather Be Right
Review: Shakespeare’s Oft-Neglected Pericles Gets a Hilarious Revival Off-Broadway
Review: The Seven Year Disappear Is a Disturbing Tale of Art World Manipulation
Review: In The Hunt, Tobias Menzies Plays a Man Falsely Accused
Review: A Sign of the Times Is the Latest Boomer Nostalgia Jukebox Musical
Review: We Double Dare You Not to Be Moved By The Life and Slimes of Marc Summers
Review: Jelly’s Last Jam Not Only Blows the Roof Off City Center, It Obliterates It
Review: Jez Butterworth’s Grief-Stricken Family Epic The Hills of California Debuts in London
Review: Sunset Baby, A Drama Ahead of Its Time, Gets a Revival
Review: Five: The Parody Musical Is Significantly Less Than Six
Review: The Sound of Silence is Haunting in New Musical Private Jones
Review: The Wiz Tour Has Great Vocals, But Stumbles on the Road to Broadway
Review: Succession‘s Sarah Snook and a Phalanx of Cameras Bring Dorian Gray to London
Review: Richard Burton and Sir John Gielgud Create a Hamlet for the Ages in The Motive and the Cue
Review: Operation Mincemeat and the Case for Why Small Shows Need Small Theaters
Review: David Greenspan Returns Off-Broadway to Play a Silent Starlet in On Set With Theda Bara
Review: Mona Pirnot Finds Her Voice in I Love You So Much I Could Die
Review: Between Two Knees Is Church Masquerading as Comedy
Review: Kate Douglas’s The Apiary Begs Us to Consider the Bees
Review: Munich Medea: Happy Family, a Drama About Finding Family in Tough Circumstances
Review: You Don’t Have to Do Anything Redefines the Memory Play
Review: Eddie Izzard Finds Humanity and Humor in Hamlet