Review: Jessica Hendy’s Memoir, Walking With Bubbles, Is Not as Bubbly as It Sounds
Review: A Revival of The Knight of the Burning Pestle Offers Music, Laughs, and a Few Yawns
Review: Off-Broadway Revival of God of Carnage Exposes a Mediocre Hit
Review: New York, New York Offers Too Much and Too Little
Review: Laura Linney and Jessica Hecht in New Broadway Gem Summer, 1976
Review: Sean Hayes Plays Oscar Levant in Good Night, Oscar
Review: In Prima Facie, Jodie Comer Plays a Lawyer Who Defends Rapists and Is Raped
Review: The Thanksgiving Play Is Checkmate for the Well-Meaning Woke
Review: Peter Pan Goes Wrong, a High-Flying Comedy of Disaster
Review: Suzan-Lori Parks Compiles Her Plays for the Plague Year as a Healing Offering
Review: Ava Gardner Comes to the Stage in Elizabeth McGovern’s Uneven Ava: The Secret Conversations
Review: Living Forever Isn’t All It’s Cracked Up to Be in Eternal Life Part 1
Review: A Lusty Camelot, With Shades of The West Wing, From Aaron Sorkin
Review: Fat Ham Comes to Broadway With a Sizzling Cast in an Underbaked Play
Review: In Regretfully, So the Birds Are, Asian-Americans Search for Their Corner of the Sky
Review: Champion, an Opera About the Bisexual Boxer Who Killed a Man in the Ring
Review: White Girl in Danger Depicts the Hostile Takeover of an All-White Soap Opera
Review: You Never Know Who’s Listening to Your Private Moments in Smart
Review: Zadie Smith Gives Chaucer’s Wife of Bath a Modern Makeover (Sort Of) in The Wife of Willesden
Review: Shucked Pops With Toe-Tappers and Corny Jokes Aplenty
Review: In Tao of Glass, Phelim McDermott Attempts to Reach the Essence of Philip Glass
Review: Guys and Dolls Shimmers in New Immersive Production in London
Review: Life of Pi Brings a Harrowing Tale of Survival on the High Seas to the Stage
Review: Vanities — The Musical Looks for a Second Chance Off-Broadway