'Tis Pity She's a Whore
Cheek by Jowl gives John Ford's controversial play a raucously sexy and provocative production.
in 'Tis Pity She's a Whore
(© Manuel Harlan)
At the heart of the play is the forbidden love story between Giovanni (Jack Gordon) and his sister, Annabella (Lydia Wilson). The incest taboo remains strongly entrenched in contemporary society, and it's clear from the outset that their love affair will end badly -- and since this is a Jacobean drama, bloodily, as well.
The script has been edited down -- trimming or eliminating altogether several subplots -- and the production runs just under two hours without an intermission. This has the effect of streamlining the piece to focus on the Giovanni-Annabella romance, and the complications that ensue when she becomes pregnant and marries one of her many suitors, Soranzo (Jack Hawkins) to save herself from public scandal.
Designer Nick Ormerod costumes the ensemble in modern dress (and oftentimes undress), while the posters adorning the set's walls -- including one for HBO's True Blood -- also clearly establish the time period as the present-day.
Much of the staging is stylized and presentational, and includes several choreographed sequences from movement director Jane Gibson that help to heighten the emotions of a scene, or to highlight its comic nature.
However, the poetic language of the play is treated seriously, and is well delivered by the cast. Gordon is particularly good at caressing the words he says while Giovanni woos his sister. Wilson's subtle changes in intonation clearly convey her character's mood and intention.
Among the supporting cast, Suzanne Burden is deliciously devious as the widow Hippolita, while Lizzie Hopley delights as the open-minded Putana, who is one of the few characters who know of the siblings' romance from early-on.