Into the Woods
The main characters of Into the Wood include such familiar fairy tale figures as Cinderella and Rapunzel and their respective princes, Little Red Riding Hood, and Jack (of beanstalk fame), all of whom are presented as living in the same village. To this mix Sondheim and Lapine have added the Baker and his Wife, a childless couple who are under the curse of a witch and seek to end it. Said witch launches the couple on a quest that includes poaching various valuables from the other characters, such as Jack's cow and Rapunzel's hair.
Douglas Schmidt's set design for this new production is filled with images of fairy tale books, castles, and trees, all enlarged to a grand scale. The magical and dangerous woods are represented by branch-filled green trees and colorful lighting. It is in these woods that the characters become lost, a metaphor for the game of life and how it's played. Everyone must go to the woods, lose his way, and eventually find his way home. The woods entice the innocent in the same way that fairy tales fascinate children.
Vanessa Williams is obviously playing against type as the Witch, a role that allows her plenty of room to stretch--and that she does, giving a thorough, not-too-showy performance and singing in a strong, soaring voice. Williams bobs and weaves around the stage as the bent, snarled old crone. Her Witch is cruel, to be sure, but also hip to the facts of life; even at her most repulsive, she offers worldly wise advice to the confused ensemble. (Fans of Williams who aren't already familiar with the show will be relieved to find that the ugly Witch is eventually transformed into a dazzlingly beautiful witch, giving the audience plenty of opportunity drink in the star's exceptional loveliness.)
Broadway veteran John McMartin is excellent as a Narrator with a sense of irony, relishing the character's asides and playing the role with a wink and a chuckle. He narrates the show most entertainingly and also takes part in the action. Laura Benanti, with her sweet soprano, is wonderful to listen to in the role of Cinderella; even better is her dead-on funny interpretation of the girl as tired of those glass slippers and tired of being chased by a Prince Charming she's not sure she wants to know. Gregg Edelman and Christopher Sieber get the joke of their stock characters as (respectively) Cinderella's and Rapunzel's princes: These are straight-arrow guys with little more on their minds than chivalry and romance.