The Goodspeed Opera House's revival of the 1961 musical about a young French orphan who joins the circus is truly delightful.
The plot varies little from its source material, the 1953 movie Lili, about a naïve country orphan (Lauren Worsham) seeking her fortune with a shabby traveling circus. There, she meets a variety of characters, including the embittered puppeteer Paul (Adam Monley), whose wartime injury cut short a stellar career as a dancer, the resident magician (and philandering cad) Marco the Magnificent (Mike McGowan), his long-suffering assistant-slash-mistress Rosalie (Michele Blakely), and the vain and grandiose circus-master Schlegel (Laurent Giroux).
As skilled a singer as she may be, Worsham lacks the necessary fragility to fully embody Lili; she's missing the childlike sense of wonder that allows Lili to converse with puppets without appearing simple-minded. Moreover, Worsham presents as a two-feet-on-the-ground kind of ingenue, with only her hunched shoulders to indicate shyness and unease. And the tendency of this supposed bumpkin to launch into song like a Podunk Jeanette McDonald never quite flies.
Providing a deep, grounded counterpart to Worsham, Monley achieves a mesmerizing presence as Paul. The temptation in this role might be to lurch about and play up the pathos, but Monley implodes his emotions, so that you're drawn in as well. He has a magnificent, velvety voice, and when singing, too, he never overreaches: He makes you come to him, and the journey proves well worth it.
If you can make the trip to Goodspeed ASAP, do so, since both the excellent McGowan and Giroux -- whose supercilious glare seems capable of exerting some dark magic of its own -- must depart on August 18. Blakely is alternately hilarious and touching, and she's especially fine in the revenge-fantasy torch song "Humming."