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Don Pasquale follows the misadventures of a young couple as they plot to marry and snatch their inheritance from a pompous old uncle before he gets married! Donizetti's score has it all: side splitting wit, melodic splendor, vocal fireworks, comic opera at its very best. Elizabeth Pringle directs our new English adaptation by Bari Biern, with conductor Stanley Thurston at the musical helm.
Carl Maria von Weber's stunning music for Oberon brings you a true midsummer night's dream, beginning with the famous overture. Shakespeare's gods are a-quarreling, and true love must be conjured by a host of fairies, kings, elves, medieval knights and the mischievous Puck. Writer and director Nick Olcott unveils a new English adaptation of this classic opera, conducted by music director Stanley Thurston.
The Maryland Opera Studio pairs two radically different tellings of the Orpheus myth: Gluck's glorious tragedy and Offenbach's infectious farce. A full orchestra and large cast of singers and dancers bring this double spectacle to life with beautiful lighting, costumes and sets, an annual collaboration between the School of Music and the School of Theatre, Dance, and Performance Studies.
An innocent boy, son to a family of goat herders, is found to be heir to the kingdom. Riches and luxury are laid at his feet, but at what cost to others?
This world premiere musical adaptation of Oscar Wilde's The Young King, by Martin Hennessy with libretto by Tom Rowan, addresses human rights and social justice issues directly relevant to contemporary wealth and income inequality struggles. Performed by Maryland Opera Studio (MOS) artists.
Hennessy is the winner of the inaugural Opera Composition Contest, a joint effort between MOS and the Artist Partner Program to support the cultivation and performance of new work.