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Dig this. One of the most highly anticipated new musicals from one of the hottest writing teams on the planet, Beatsville has its world premiere at Asolo Rep next spring. It's Greenwich Village, 1959 – the world of underground coffee shops, goateed artists, turtle-necked poets, and bongo-playing jazzbos. Tragically square busboy Walter Paisley wants nothing more than to be one of the beatniks, but he has no artistic talent whatsoever. When he accidentally kills a cat and hides it in a lump of clay, "Dead Cat" is declared a masterpiece, and Walter a genius. More "sculptures" bring more acclaim – but will the world discover Walter's secret? Hip, rollicking, and bona fide hilarious, hang onto your berets – we're headed to Beatsville!
A Broadway triumph and 1950 Academy Award-nominated film, this deliciously witty comedy is also a biting commentary on politics and the power of female persuasion. With his ex-showgirl girlfriend Billie Dawn in tow, junkyard magnate Harry Brock moves to Washington D.C. where he hopes to break into some "special interest" business with an ethically-challenged senator. When Billie's lack of social graces embarrasses even him, Harry hires a young reporter to give her the polish she needs to get ahead in D.C. society. But Harry gets more than he bargained for when, in a deliriously funny turn of events, he discovers a little bit of learning can be a dangerous thing.
One of the great new playwrights in this country telling the story of three twenty-something brides-to-be who set out on a celebratory evening, only to have one of them question her future after a chance meeting with a recently jilted handsome stranger. A wildly theatrical play that captures the ever-shifting nature of love and identity in a very surprising way!
Winner of the Obie for Best New American Play, this Pulitzer Prize finalist is as hilarious as it is relevant. Macedonio "Mace" Guerra is a really good professional wrestler, but he's not the champion – that's the impossibly charismatic Chad Deity. When Mace discovers an Indian-American Brooklyn kid whose charisma rivals that of the champ, he decides to recruit him as the perfect foil. But when their rivalry is used to exploit racial stereotypes to raise ratings, all three men find themselves fighting for more than the title belt. This no-holds-barred comedy transforms the Cook Theatre into a wrestling arena where you'll have a ringside seat for this invigorating tale that masks a sly allegory about race, class and power.
On the heels of Asolo Rep's wildly successful All The Way, The Great Society continues Robert Schenkkan's profound exploration of Lyndon Johnson's turbulent years in the White House. In his second term as president, besieged by political opponents, Johnson summons all his political wiles to try to push through Congress some of the most important social programs in U.S. history through Congress. His vision of a Great Society became the most ambitious effort ever to test what American government is capable of achieving. And in doing so, to discover what it is not. Actor Nick Wyman returns to the Asolo Rep stage to reprise his role as L.B.J. in this unflinching examination of the morality of power.
When it comes to wit, style, and sheer exuberant joy, Guys and Dolls is the odds-on favorite as the best musical comedy of all time. Set under the bright lights of Broadway and bustling with gamblers, gangsters, and sassy showgirls, Guys and Dolls features one of the greatest scores ever written by the legendary Frank Loesser, masterfully witty book and lyrics by Joe Swerling and comedy legend Abe Burrows, and those glorious Damon Runyon characters who have become classics in the world of musical theatre. The plot involves the unlikeliest of romantic pairings: a high-rolling gambler and a save-your-soul missionary, a showgirl dreaming of the straight-and-narrow and a craps game manager who is anything but. Place your bet on love conquering all in this hilarious classic that defined Broadway's Golden Age.
Including dazzling songs like "Children Will Listen" and "No One Is Alone," this is a thrillingly clever new version of an extraordinary musical about the power of wishes and what really happens after they come.
Relevant, ruthless, and gripping, Lillian Hellman's chronicle of the dark side of the American Dream is a masterpiece of 20th century drama. Set in 1900 in the deep South, Regina Hubbard Giddens and her two brothers are nouveau-riche cotton growers who have a chance to become mega-rich by investing in a new mill. But the siblings still need $75,000 to seal the deal, which they attempt to swindle from Regina's ailing husband. And so the sinister games begin with each of these "little foxes" nibbling at the other's tender grapes (the title comes from the Song of Solomon) as each will let nothing stand in the way of financial gain.
The entire company of second year graduate students at the FSU/Asolo Conservatory in Shakespeare's hilarious comedy about four young lovers, five rude mechanicals, and an army of fairies and spirits who all cross paths one magical night in a forest outside of Athens. The most beloved of Shakespeare's plays, capturing the essence of young, and not-so-young love, performed by the future of the American theatre.
Justice Antonin Scalia's unexpected death at age 79 has thrown a wrench into the political arena, but has brought intense interest in this daring new stage play that had its world premiere at Arena Stage last spring. When a bright, liberal law school graduate embarks on a nerve-wracking clerkship with Justice Scalia, she discovers him to be both an infuriating sparring partner and unexpected mentor. Written by Charles MacArthur Award-winning playwright John Strand and starring four-time Helen Hayes Award winner Edward Gero (who bears an uncanny resemblance to Scalia), this powerful work depicts passionate people risking heart and soul to defend their interpretation of the truth.
A searing tragedy of classical proportions by one of our country's most important contemporary playwrights. The man who gave us Death of a Salesman, The Crucible, and All My Sons, turns his eye on the dockworkers of New York, in particular Eddie Carbone, a longshoreman who helps smuggle in two of his wife's cousins into the country. When one of the two cousins begins to pursue Eddie's teenage niece, a monstrous change creeps up on the kind and loving uncle, and the play explodes in a tragic display of violence and unconscious passions.