SEARCH
Sutton Foster at the Carlyle
REVIEWS
Freed

The Golden Ticket

Daniel Okulitch leads a first-rate cast in the Opera Theatre of St. Louis' charming musical adaptation of Charlie and the Chocolate Factory.

By St. Louis
Daniel Okulitch in The Golden Ticket
(© Ken Howard, Opera Theatre of Saint Louis)
Daniel Okulitch in The Golden Ticket
(© Ken Howard, Opera Theatre of Saint Louis)
While The Golden Ticket, now getting its world premiere as part of Opera Theatre of St. Louis' summer season, is still a "work in progress," this charming rendition of Roald Dahl's children's novel, Charlie and the Chocolate Factory, is bound to become a success.

Actually, the source material is even better known to many as the film Willy Wonka and the Chocolate Factory, in which Gene Wilder plays the wacky confectioner who offers five children the chance to sample his creations. The team of lyricist and librettist Donald Sturrock and composer Peter Ash has provided a delightful score that complements the now-familiar story quite well.

The production also benefits from the snappy stage direction by James Robinson and the work of conductor Timothy Redmond, who leads members of the St. Louis Symphony in fine fashion. The cast is also first-rate, led by opera star Daniel Okulitch (best known for his work in The Fly), who captures the mix of playfulness and wickedness which is the keynote of Willy Wonka.

A delightful little actor, Michael Kepler Meo plays the young boy, Charlie. Although his voice needs a bit more volume, he displays a keen knowledge of the stage and his character. The remaining children in this classic tale are all played by adults and the concept truly works. Tracy Dahl is effective as the gun-toting Violet; Andrew Drost is properly obnoxious as the candy-loving Augustus; and Jennifer Rivera and David Trudgen round out the group of youngsters who meet an untimely demise in the candy factory.

Also on hand are Frank Kelley as Charlie's grandfather and Jennifer Berkebile, who does a great job in the dual role of the TV host and the squirrelmistress. (Don't ask; you have to see it to believe it).

While the production is technically quite ambitious, the candy factory scene in Act II needs some work. Most of the effects rely on projections and they can't quite measure up to what may be an impossible task any other way. The river of chocolate comes off a little clumsily as well. Overall, however, the show is a sweet treat worth savoring.


comments powered by Disqus
X

More in Reviews

Freed

Read Now »

By providing information about entertainment and cultural events on this site, TheaterMania.com shall not be deemed to endorse,
recommend, approve and/or guarantee such events, or any facts, views, advice and/or information contained therein.

©1999-2014 TheaterMania.com, Inc. All Rights Reserved. Terms of Use & Privacy Policy